Why the name 28g.s.?

Ok. Welcome to yet another .blogspot page. If you are here because you chose to, then continue reading. If you bounced here, then probably you've already closed the window of your browser. Doesn't really matter! The less, the..."lessier"(!?$@?). Enjoy.

Why "28g.s."?

Ok. Most of you may wonder about the name of the blog. In fact, those of you that know me, may have given yourselves a couple of head scratching with this question; "George, why the heck did you name the blog 28g.s.?"
(to be continued after a good night's sleep)

The TANGRAM building concept

To be revisited soon...

Less is more...

Nothing is nothing

...but "nothing" is nothing...

Take it. It's rightfully yours.

Take it.It's rightfully yours.

Happily SADD

United Nations Headquarters for Sustainability/United Nations Environmental Council

United Nations Environmental Council
BK Archiprix Entry

The United Nations Environmental Council, the new, 6th Council, will be in charge for the coordination of sustainability issues, such as waste problems, energy problems and securing biodiversity on the planet, aiming to marshal the existing fragmented running programs (such as UNEP) and coordinate these issues on a global level. In other words, the new UNEC Building will be the center for collecting, producing, propagating and exchanging information on the broad topic of sustainability. United Nations is a none boundary organization. Regardless the location of the new UN headquarters, the new building should manifest one single fact: that it doesn’t acquire its identity by the country that it is being hosted in, but from the whole world. Therefore, it should point out the fact that it is a global building, serving a global purpose. It has to manifest and promote its purpose and not only the general local culture.

Furthermore, the building has to co-exist with its surroundings, from both the city side and the waterside, and gain acknowledgement from the public; on the one hand, the presence of the building towards the 1st Avenue should achieve uniformity and continuity with the city of Manhattan. Also, it is very important not to spoil the character of the city. On the other hand, from the river side, the building should become a landmark for the city, since in this way it could manifest both its uniqueness and difference from the rest of Manhattan, giving the intention of a “global building”. Also, the visual continuity from the city to the waterfront is crucial. The new building shouldn’t be standing as an obstacle which is blocking the view and the connection from the city to the river side. At the same time, it should not outshine its colossal neighbors (existing UN etc), but it should have a strong character in order to be able to create a “healthy competition” with its surroundings. On the urban level, the connection of the UN plot with the Manhattan Midtown East grid was crucial. Extending the city within the region of the UN plot results in the creation of a public square that is sheltered from the building itself. This public space, apart from becoming the main entrance area to the building, is very meaningful for the wider city, since Manhattan suffers from the lack of open and public spaces. Furthermore, the UN plot, along with an adjacent open green space, are the only few left open visual connections to the waterfront.

In a similar way, preserving an open space from the waterfront to the city was also crucial. By creating a green square on the water side, and extending this square into the core of the building in the form of a courtyard, immediately the building itself becomes the connecting element in the previously fragmented continuity from the city to the water. In this way, the lower volume of the building is actually an intermediate space between two squares of different character, while the floating volume takes the role of the “shelter” to this triple public space.

The distinction of the building in two volumes, which corresponds to a distinction between the more public and more private parts of the program, sets the standards for the needed boundaries and security of the building. Openness and spatial continuity are the main qualities of the areas distributed around an open central space connecting the different areas of the building. With its skylights and vertical continuity of the space, the building creates multiple levels of visual interaction. Thus, the value of this graduation project lies in being a design assignment for a project that deals with the question of sustainability from a extremely important stand point, which is not only minimizing the environmental impact of a building, energy consumption, etc; but rather how to coordinate these efforts as well as increase the sustainability awareness of the whole world.

For more information, vist:
http://repository.tudelft.nl/view/ir/uuid%3A5cddc16a-54be-430f-9026-468be0e6d190/
or
http://georgesiokas.weebly.com/tu-delftsadd.html

Who is Georgios (George) Siokas?

Who is Georgios Siokas?

Architect Engineer (M.Arch), post graduate in Materialization and Design Development (M.Sc.), with a broad technical and theoretical background enriched by studying and working experiences in two different countries (NL, GR). Analytical, lateral thinker and proactive, with good presentation and highly developed organisational and communication skills acquired through several extracurricular activities. Adaptable and enthusiastic in working in multicultural environments, very comfortable in working as a member of a team, but also able to take initiative when the situation arises. Interested in multidisciplinary architectural practice focused on materialization with emphasis on sustainable development and strong attention to detail.

personal page

Visit my personal web space, @ http://georgesiokas.weebly.com/

archinect

Connecting architects since 1997. Connecting G.S. since 2012 @ http://archinect.com/people/cover/57148304/georgios-george-siokas

linkedin

http://www.linkedin.com/in/georgesiokas